This project examines a shift in how images are produced in the age of AI.
It begins not with artificial intelligence itself, but with resistance to it. Photographed posters from the CalArts campus record a charged social atmosphere—opposition, anxiety, and satire—where AI appears not as image, but as tension.
Across the series, the work moves from documentation to hybrid construction, to fully generated images, and finally to language as image. A sequence of figures develops from unstable forms into seamless simulations, while a fully generated scene reflects a condition in which one is already inside a technological change that cannot be avoided.
The final work presents an image-generation prompt as the work itself. Language no longer describes an image but defines the conditions under which one can appear.
This project grows from an ongoing question: where are the boundaries of photography, what is photography now, and whether images generated without a physical event still belong to it.
From 0 to 1 does not defend or condemn this condition. It remains within it, observing what changes, what persists, and what quietly disappears.